That Drifting Poo Was Far Too Meaningful! It's the TV Letdowns of the Past Year.

Looking back, we consider the TV landscape of the past year, a selection of series emerge not for their brilliance, but for their notable shortcomings. From awkward spin-offs to confusingly bad documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with woeful writing, painful character development (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to find its footing. For a moment, as the third series began, it seemed as if it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the last series. It ended on a low point; the closeup of Miranda’s loo flooded with poo was just way too on-the-nose. Yet, viewers certainly had a hoot picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this show's problems. The recipient of a very rare no-star review, it was hard to know where to begin listing the problems. The laughably wooden writing? The tedious glorification of affluence and consumption? The almost deliberate procession of cliches? Acting so bad they felt almost malicious? Let’s just say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part documentary which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any pity this series might induce should be reserved for the people who have had to suffer close contact with this charming but flippant egotist.

The Iris Affair

Of course we knew it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its stars 
 but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe 
 in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were plenty of other issues. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Considering the degree to which she provokes the ire of the nation’s performatively angry commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into quaint homemaking as deliberate provocations. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a homeware magazine animated; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental platitudes and pointless crafting “hacks” you’ll forget instantly. All supported by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-worth. But for whatever reason, this documentary series chose not to explore them. Rather, the experience was like consuming a sales catalogue. She clearly has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this guarded letdown of a series.

The Game Show

It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you want? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a programme that was trying way too hard to live up to something far greater than it.

Too Much

How do you succeed a show that defined a generation? The expectation was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right voice, lumbering from strangely breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We admire the lead actor 
 but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a breakthrough that could destabilise society? No! This globe-trotting thriller about secret services spying on – and killing off – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for sexual escapades as she undertook her most extreme feat yet. What on earth would possess her? What we wanted was way more interrogation of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

John Durham
John Durham

Alex Morgan is a seasoned IT professional with over a decade of experience in network security and cloud infrastructure.